Abstract—This paper proposes a way to enhance the

compression ratio of images by deleting some parts of the image before

transmission. The remaining data besides essential details for recovering the

removed regions are encoded to produce the output data. At the decoding side an

inpainting method is applied to retrieve the removed region. The Shearlet

Transform is used for the smoothing purpose of the recovered image. The

Shearlet Transform has the ability to provide a very precise geometrical

characterization of general discontinuity occurring in images. This transform

can identify the location of singularities of a function and also the

orientation of discontinuity curves.

Keywords- Image inpainting, image compression, compression ratio, peak

signal-to-noise ratio, structural similarity.

I.

Introduction

Image inpainting is a technique of filling in the missing

region of an image. It is the art of modifying an image in a form that is not

easily detectable by an ordinary observer. The main usage of inpainting is the

restoring of damaged part of the picture 1. Without transmitter sending

entire picture the receiver can recover the missing part of the image to come

up with the whole image in the end. Compression is acceptable for natural

images as a large amount of redundancy is included in such images. By not

sending significant portion of the image, that can later be restored from

remaining part, the amount of bits needed to transmit the image can be reduced

significantly.

We will write a custom essay sample on

Abstract—This the object surfaces or sceneries. Since the**Specifically for you for only $16.38 $13.9/page**

order now

Each image is composed of discrete points called pixels.

The value relevant to each pixel is the result of sampling from light or color

intensity in the original image domain. Natural images consist of separate

areas indicating the object surfaces or sceneries. Since the light intensity

and color in such areas are approximately constant the relevant values for

pixels are highly correlated. Every pixels in such areas are likely to be of

the same or very close value compared with the adjacent pixels. Representing

the image by storing all pixel values results in a large amount of redundancy.

For the inpainting method to be successful it is important

to choose and erase the block that can be easily restored. There are two types

of regions that can be relatively easily reconstructed, structure and texture. It is important to properly

classify these blocks into either of these two. In image inpainting the only

information available for reconstruction is the average value of the erased

block.

The most significant information within an image is

located in the boundary regions or edges. The boundary region not only

specifies its overall shape but also shows how pixel values change from

neighboring regions to the inner regions. So it is possible to retrieve the

inner areas using pixels located on the boundaries. Therefore boundaries or

edges are all the required information for displaying an image. The variation in values of pixels

orthogonal to the edges is significant. Hence, areas in the neighborhood of

edges may be considered as essential image information. While moving along the

edge direction, no significant changes in pixel values will be observed. Moving

further to the inner points of the boundaries will result in a considerable

correlation for pixel values. Edges also represent some other necessary

information including shapes. Redundancies related to the correlation along the

edge direction may also be exploited via extracting shape information from

pixel values in boundary regions.

Pixel values at the endpoints of an edge will be used for

recovering the entire edge and boundary region. In order to recover boundary

regions and pixels located perpendicular to the edge direction, samples of

source points should be provided. These samples should come from different

areas at each side of the edge.

II.

Image Inpainting

Image

inpainting is a method for recovering regions in images whose pixels are

distorted or removed in some way. Inpainting methods are commonly based on

partial differential equations. The method proposed in this paper is based on

eliminating the information of correlated regions and filling in the missing

areas using sample pixels. In this method, some regions are intentionally

removed at the encoder and recovered using an inpainting or interpolation

technique at the decoder. In partial differential equation techniques, pixel

values around the region to be inpainted are considered to be the boundary

condition for a boundary value problem. Then, a proper equation for

interpolating in that area will be solved. Image inpainting has a variety of

applications such as text and object removal 2,3, denoising, super

resolution, digital zooming 4,filling-in 5 and compression.

Figure

1 A general case of image inpainting

problem.

Image inpainting is aimed to fill in missing regions or to

modify damaged regions in a visually plausible and non-detectable way. In order

to well clarify the inpainting problem, assume u0 as the

intensity function of the image defined in domain D. As indicated in

Fig. 1, there is a hole ??D with unknown information. The objective is

to find the recovered version of u0, namely u, in such

a way that the intensity function in the area D?? remains equal

to u0 while meaningfully filling in other regions. In this

way, information on the boundary ? is diffused into ? via a 2D

interpolation technique.

In a

general form, no information is available about the regions to be inpainted.

The resulting inpainted image is not necessarily similar to the original one. For

the application of compression, it is necessary for the inpainted image to be

similar to the original one with a sufficient degree of accuracy. As the

original image is in hand, it is possible to extract all of the information

required for compression with an acceptable quality. Here the only essential

information for retrieving an image includes source point pixels and edges.

III.

Texture Inpainting

Texture inpainting is to find best match from referable

surrounding blocks in statistical aspect. Texture synthesis process is like

below. At first, when we call texture synthesis function, we give referable

neighborhood block information. Secondly, we set the template which is 3×3 or

4×4 and next to the missed pixel we want to fill. We classify blocks whose

statistical properties are similar to those of surrounding blocks into texture. So, when we want to fill the texture block,

we exploit the statistical similarity with other blocks. In big picture (512×512),

8×8 block is not a big portion. And, in smooth area, we don’t use texture

synthesis because of peak signal-to-noise ratio (PSNR)

quality, even though texture synthesis is faster than structure inpainting. In

most cases, we use texture synthesis in very coarse area or pattern area. From

those reasons, we copy the whole block (8×8) to the missed texture block, after

finding the block which has the closest mean and variance to missed texture

block. In this case, we can get a good result in visual aspect, despite of

almost same result in PSNR.

IV.

Structure Inpainting

Structure is the region that can be clearly divided into

two or more sectors through clear edges. Each sector is relatively devoid of

minute details and the missing block within the sector is easily predicted from

surrounding blocks. Structure inpainting is the process of gradually

propagating the information contained in the surrounding blocks into the

missing block. Basically, this process is very similar to that of diffusion.

When the heat source (surrounding block) is placed around closed area (missing

block), heat (information) gradually flows into the area.

V.

Shearlet Transform

It is now widely

acknowledged that traditional wavelet methods do not perform as well with

multidimensional data. Indeed wavelets are very efficient in dealing with point

wise singularities only. In higher dimensions, other types of singularities are

usually present or even dominant and wavelets are unable to handle them very

efficiently. Images, for example, typically contain sharp transitions such as

edges, and these interact extensively with the elements of the wavelet basis.

As a result, many terms in the wavelet representation are needed to accurately

represent these objects. In order to overcome this limitation of traditional

wavelets, In this paper, a new wavelet transform is introduced, namely shearlet.

A.

Continuous Shearlet Transform

The continuous shearlet

transform is a non isotropic version of the continuous wavelet transform with a

superior directional sensitivity. In dimension n=2, this is defined as the

mapping,

SH ?

f(a,s,t) = ‹ f, ? a,s,t ›

Each analyzing

elements ? a,s,t called shearlets

has a frequency support on a pair of trapezoids, at various scales, symmetric

with respect to the origin and oriented along a line of slope s. The support

becomes increasingly thin as a ? 0. As

a result, the shearlets form a collection of well localized waveforms at various scales, orientations and locations,

controlled by a, s, and t respectively. The frequency supports of some

representative shearlets are illustrated in Fig.2

Figure 2 Frequency support of shearlets for various

values of a and s

B.

Discrete Shearlet Transform (DST)

By sampling the

continuous shearlet transform on appropriate discretizations of the scaling,

shear, and translation parameters a, s, t one obtains a discrete transform

which is associated to a Parseval (tight) frame for L2(R2).

The following procedure describes the construction of Shearlet transform and

the procedure is illustrated on Fig. 3.

(1) Apply the

laplacian pyramid scheme to decompose faj-1

into a low pass image faj and a high pass

image fdj.

(2) Compute P fdj on a pseudo polar grid.

(3) Apply a band pass filtering to the matrix P fdj.

(4) Directly

re-assemble the Cartesian sampled values and apply the inverse two-dimensional Fast

Fourier Transform (FFT).

VI.

Experimental Result

The steps of compression are depicted in Fig. 4. The

original image I is analyzed and the blocks to be removed are determined. The

assistant information R should be sent with masked image to decoder. R should

contain the locations of blocks removed and the algorithm to be used to fill in

the missing region. For missing region, fill in DC values to minimize the size

of JPEG-encoded image. R is compressed using lossless encoder while DC-filled

image D is encoded by JPEG. On the decoder side, R’ and D’ are decoded and R is

used to fill in the removed blocks of D. The bit rate is calculated by (size of

D’) + (size of R’ (entropy encoded R)) / (size of the image). The

different images are shown in Fig. 5.

For comparison purpose the PSNR values are computed and

the values are tabulated and shown in Table1.

Figure 3 Succession of laplacian pyramid and directional filtering

Figure 4 An algorithm for image compression

using inpainting

TABLE

I.

Performance Comparison Using Psnr Values

Image

Existing

Method

Proposed

Method Sheatlet

SSIM

PSNR (dB)

SSIM

PSNR (dB)

Image 1

0.8965

29.24

0.9272

36.45

Image 2

0.8864

33.67

0.9028

40.67

Image 3

0.8137

31.45

0.8798

37.45

(a) (b) (c)

Figure 4 (a) Noisy image (b) masked image

(c) received image after inpainting.

A conventional image quality index is the PSNR, which is

the ratio between the maximum possible power of a signal and the power of the

corrupting noise that affects the fidelity of its representation. It is widely

used for the estimation of quality in lossy image compression algorithms. The

signal in this case is the original data and the noise is the error introduced

by compression. This index is popular for its simplicity; however, it loses its

advantages compared with natural human perception 6.

A better index for image quality measurement is the

structural similarity (SSIM), which is a method for measuring the similarity

between two images. The SSIM index is a full reference metric, the measuring of

image quality based on an initial uncompressed image as a reference and is calculated

as,

where, the covariance of X and Y, the average of X, the average of Y, the variance of X, the variance of Y.

VII.

Conclusion

In this paper, a new sparse representation-Discrete

Shearlet Transform domain inpainting model is presented. In this

framework, some kinds of distinctive features are extracted from images at the

encoder side, and regions with high correlation values are intentionally

skipped during encoding. The remaining areas along with information associated

with the edges are encoded to form the compressed output data. Removed

information is to be recovered with the assistance of information sent to the

decoder side. At the decoder, using a PDE-based inpainting algorithm, the

removed areas are recovered

References

1

M. Bertalmio, G. Sapiro, V. Caselles, and C.

Ballester, “Image inpainting,” SIGGRAPH, pp. 1033–1038, January.

2

Criminisi, A., Perez, P., Toyama, K., 2004.

Region filling and object removal by exemplar-based image inpainting. IEEE

Trans. Image Process., 13(9):1200-1212. doi:10.

1109/TIP.2004.833105.

3

Patwardhan, K.A., Sapiro, G., Bertalmio, M.,

2005. Video Inpainting of Occluding and Occluded Objects. IEEE Int. Conf. on

Image Processing, 2:69-72. doi:10.1109/ICIP. 2005.1529993.

4

Chan, T.F., Shen, J., 2005a. Image Processing

and Analysis. Society for Industrial and Applied Mathematics (SIAM),

Philadelphia, p.277-279.

5

Rane, S.D., Sapiro, G., Bertalmio, M., 2003.

Structure and texture filling-in of missing image blocks in wireless

transmission and compression applications. IEEE Trans. Image Process., 12(3):296-303.

doi:10.1109/TIP.2002. 804264.

6

Wang, Z.,

Bovik, A.C., 2009. Mean squared error: love it or leave it? A new look at

signal fidelity measures. IEEE Signal Process. Mag., 26(1):98-117.

7

Glenn

R.Easley, Demetrio Labate, and Flavia Colonna, “Shearlet

based total variation diffusion for denoising”, IEEE Transactions on Image Processing”, Vol.18,

No.2, February,2009.

8

S.D. Rane, G.

Sapiro, and M. Bertalmio, “Structure and texture filing-in of missing image

blocks in wireless transmission and compression applications,” IEEE

Transactions on Image Processing, pp.

296–303, March 2003.