p.
p1 {margin: 0.0px 0.0px 8.0px 0.0px; font: 11.0px ‘Trebuchet MS’; color: #000000; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}In many rural areas of Europe, when someone dies the family or the neighbours stop the clock in the living room.
This symbolic act means “his time is over”. This is exactly the place to which this painting refers with these 3 soft watches, its dead olive tree, the cadaverous white form of a dead animal and this desert landscape. Soft watches, time that is no longer measured, contrary to the title of the table, refers to our own physical impermanence and the only possibility of a superiority of the mind over matter.The symbols, the fly, the ants, like all insects that run on the ground, are symbols of death.
The subject is a source of anxiety for the artist as for many people. The idea of ??Death is an obsession with him and a recurring subject in his works. The way of asking the question is interesting. Dali said he was inspired by the softness of a camembert that dripped and that he had seen in his kitchen. To bind thus food, which in the object relation means life, and death and time is interesting.
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It is important to point out that at the time when he performs this painting that the artist has been scrambling with his mother and his family for 2 years. The only reassuring elements of the work are the presence of well-lit cliffs on the right and warm colours in the background.To read the canvas the gaze rises, the point of view of the spectator is at the limit of the luminous zone. The horizon line is high and in full light unlike the foreground where everything is dark. The first plane symbolises death, the background life and in this case it is eternal.Representing the beach of Portlligat the painting is a twilight sky dominating a beach and the Mediterranean.
The sky and the light zone are above the upper line of force. The 4 watches are close to natural points of interest. The area of ??flight for the gaze is at the top right. A watch is positioned at the zone limit. It is perched on the dead olive tree, it drips, it is not alive but the branch on which it rests clearly indicates the direction of the zone of luminous hope in the upper right.Behind the tree there is a stone on the beach in a dark area, it symbolises death. On the other side, on the beach, in a clear area there is an egg near the water.
This egg symbolises life and birth. If we link the dead stone to the egg that will give life, the line goes up.On the table is a watch. This watch does not dribble but it is as dead as the others because: it is placed upside down, we do not see the time, we see ants, insects crawling in the ground and symbols of death.
The fly is also a symbol of death. She comes to lay eggs in corpses. The Artist declared that for him was a positive symbol because it flies. The only positive element is that the body of the fly – like the needles – indicate the direction of the area of ??hope at the top right of the work.A form stands out in the middle of the work. This form is recurrent in Dali. It contains the elements of a self-portrait of the painter with the eyelashes and the nose but put in this sense it evokes a white corpse, either a horse whose watch is the saddle or a bird or a shell without life that sinks into the brown sand.
He only has one positive zone on the canvas. The one in the background because of the egg at the water’s edge which symbolises the birth and the life but also by the light and the erotic human forms or the faces that one can guess in the rocks. The only thing that persists is the light that comes from the top and the left. The colours contrast between warm and cold colours, complementary.
