She then faces the dilemma to save herself as well as her unborn from the discovery of her guilt. With her given situation, she reacts calmly, carefully and quickly. She first rids of the murder weapon “she carried the meat into the kitchen, placed it in a pan, turned the over on high, and shoved it inside.” and cunningly decides to go to the grocery shop as she would have done to prepare supper and rehearses her lines as to sound perfectly normal to the grocery counter-man: “She tried a smile. It came out rather peculiar. She tried again. “Hullo, Sam” she said brightly, aloud. The voice sounded peculiar too. “I want some potatoes please, Sam. Yes, and I think a can of peas.””

This is evidence of Mary thinking ahead of her plan. Subtly, she does everything as if everything was normal and talks to Sam typically as she would have done. She continues slyly: “That’s the way, she told herself. Do everything right and natural. Keep things absolutely and there will be no need for acting at all” Mary faces her dilemma with much cunning and craftiness by displacing the weapon and acting naturally. As her plan unfolded, she calls the police. During the investigations of the detectives, Mary continues to act naturally as if she was a depressed wife of a murdered husband and when they first enter then house “she fell right into Jack Noonan’s arms, weeping hysterically”. Using deceit, Mary carries on with her performance by crying, telling her edited story and pulling on an appearance of despair:

“”Is he dead?””, “when Patrick had come in, and she was sewing, and he was tired, so tired he hadn’t wanted to go out for supper. She told how she’d put the meat in the oven-“It’s there now, cooking”- and how she’d had slipped out to the grocer for vegetables and come back to find him lying on the floor” All of her actions pulled together are part of her plan to escape from being caught. Clearly, Mary uses her skills of cunning and deception in reaction to her dilemma. Further use of cunning is put to use by Mary when she offers the detectives a drink of whisky, “One by one the others came in and were persuaded to take a little nip of whisky”.

By giving the detectives a dose of alcohol, as a pretense gift of gratitude to their efforts; she not only clouds their concentration, but lets herself be portrayed determined to help find the murderer by rewarding the detectives. Mary’s final act in the play includes her most brilliant scheme, by offering the detectives supper, Mary lets the murder weapon be devoured and therefore destroying the evidence. Cleverly, she approaches the situation by improvising, only when the subject has been brought up arousing no distrust: “”Look, Mrs. Maloney. You know that oven of yours is still on, and the meat still inside” “Oh dear me!… Why don’t you eat up that lamb that’s in the oven? It’ll be cooked just right by now.””

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An-Mei was faced with several stages of dilemma in her stories. One of these could be taken as to choose between which part of her family to stay with. When An-Mei was offered the chance to stay with her mother, she quickly seized it before her auntie or uncle could stop her: “And hearing this made me even more determined to leave”. She still showed reason to stay with her uncle and auntie, although her loved Popo was dead, An-Mei still showed pity for her brother: “After I saw my brother this way, I could not keep my head lifted”.

However, An-Mei took a practical approach and left with her mother for she no longer wanted to stay with in her uncle’s house “full of dark riddles and suffering. When An-Mei stayed with her mother in Tientsin, she faced her mother’s death in front of her. Again, An-Mei takes a practical approach to the situation by clearly understanding that her mother’s sacrifice was to give her a better life: “I can see the truth, too. I am strong, too” Although the story does not describe the demands she asks from Wu Tsing and Second Wife, we can assume she faces Wu Tsing and Second Wife from the enough evidence: “And on that day, I showed Second Wife the fake pearl necklace we had given me and crushed it under my foot… And on that day, I learned to shout”.


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